Synthesizing political, anthropological and psychological perspectives, this book addresses the everyday causes and appeal of long-term involvement in extreme political violence in urban Pakistan. Taking Pakistan's ethno nationalist Mohajir party, the Muttahida Qaumi Movement (MQM) as a case study, it explores how certain men from the ethnic community of Mohajirs are recruited to the roles and statuses of political killers, and sustain violence as a primary social identity and lifestyle over a period of some years. By drawing on detailed fieldwork in areas involved in the Karachi conflict, the author contributes to understandings of violence, tracing the development of violent aspects of Mohajir nationalism via an exploration of political and cultural contexts of Pakistan's history, and highlighting the repetitive homology of the conflict with the earlier violence of Partition. Through a local comparison of ethnic and religious militancy she also updates the current situation of social and cultural change in Karachi, which is dominantly framed in terms of Islamist radicalization and modernization. In her examination, governance and civil society issues are integrated with the political and psychological dimensions of mobilization processes and violence at micro-, meso- and macro- levels. This book injects a critical and innovative voice into the ongoing debates about the nature and meaning of radicalization and violence, as well as the specific implications it has for similar, contemporary conflicts in Pakistan and the developing world.

Synthesizing political, anthropological and psychological perspectives, this book addresses the everyday causes and appeal of long-term involvement in extreme political violence in urban Pakistan. Taking Pakistan's ethno nationalist Mohajir party, the Muttahida Qaumi Movement (MQM) as a case study, it explores how certain men from the ethnic community of Mohajirs are recruited to the roles and statuses of political killers, and sustain violence as a primary social identity and lifestyle over a period of some years. By drawing on detailed fieldwork in areas involved in the Karachi conflict, the author contributes to understandings of violence, tracing the development of violent aspects of Mohajir nationalism via an exploration of political and cultural contexts of Pakistan's history, and highlighting the repetitive homology of the conflict with the earlier violence of Partition. Through a local comparison of ethnic and religious militancy she also updates the current situation of social and cultural change in Karachi, which is dominantly framed in terms of Islamist radicalization and modernization. In her examination, governance and civil society issues are integrated with the political and psychological dimensions of mobilization processes and violence at micro-, meso- and macro- levels. This book injects a critical and innovative voice into the ongoing debates about the nature and meaning of radicalization and violence, as well as the specific implications it has for similar, contemporary conflicts in Pakistan and the developing world.

Karachi is a city framed in the popular imagination by violence, be it criminality and gangsterism or political factionalism. That perception also dominates literary, cinematic and scholarly representations and discussions of this great metropolis. By commenting in different ways on the trials and tribulations of Karachi and Pakistan, the contributors to this innovative book on the city build on past writings to say something new or different - to make their reader re-think how they understand the processes at work in this vast urban space. They scrutinise Karachi's diverse neighbourhoods to show how violence is manifested locally and citywide into protest drinking, social and religious movements, class and cosmopolitanism, gang wars, and how it affects the fractured lives of militants and journalists, among others. Oral history and memoir feature strongly in the volume as do insights gleaned from anthropology and political science The contributors include academics, ethnographers, journalists, writers and activists: Nadeem F. Paracha, Laurent Gayer, Zia Ur Rehman, Nida Kirmani, Nichola Khan, Oskar Verkaaik, Arif Hasan, Razeshta Sethna, Asif Farrukhi, Kausar S. Khan, Farzana Shaikh, and Kamran Asdar Ali.

A monumental account of one migrant community’s everyday lives, struggles, and aspirations  Forty years of continuous war and conflict have made Afghans the largest refugee group in the world. In this first full-scale ethnography of Afghan migrants in England, Nichola Khan examines the imprint of violence, displacement, kinship obligations, and mobility on the lives and work of Pashtun journeyman taxi drivers in Britain. Khan’s analysis is centered in the county of Sussex, site of Brighton’s orientalist Royal Pavilion and the former home of colonial propagandist Rudyard Kipling. Her nearly two decades of relationships and fieldwork have given Khan a deep understanding of the everyday lives of Afghan migrants, who face unrelenting pressures to remit money to their struggling relatives in Pakistan and Afghanistan, adhere to traditional values, and resettle the wives and children they have left behind.  This kaleidoscopic narrative is enriched by the migrants’ own stories and dreams, which take on extra significance among sleep-deprived taxi drivers. Khan chronicles the way these men rely on Pashto poems and aphorisms to make sense of what is strange or difficult to bear. She also attests to the pleasures of local family and friends who are less demanding than kin back home—sharing connection and moments of joy in dance, excursions, picnics, and humorous banter. Khan views these men’s lives through the lenses of movement—the arrival of friends and family, return visits to Pakistan, driving customers, even the journey to remit money overseas—and immobility, describing the migrants who experience “stuckness� caused by unresponsive bureaucracies, chronic insecurity, or struggles with depression and other mental health conditions.  Arc of the Journeyman is a deeply humane portrayal that expands and complicates current perceptions of Afghan migrants, offering a finely analyzed description of their lives and communities as a moving, contingent, and fully contemporary force.

A monumental account of one migrant community's everyday lives, struggles, and aspirations Forty years of continuous war and conflict have made Afghans the largest refugee group in the world. In this first full-scale ethnography of Afghan migrants in England, Nichola Khan examines the imprint of violence, displacement, kinship obligations, and mobility on the lives and work of Pashtun journeyman taxi drivers in Britain. Khan's analysis is centered in the county of Sussex, site of Brighton's orientalist Royal Pavilion and the former home of colonial propagandist Rudyard Kipling. Her nearly two decades of relationships and fieldwork have given Khan a deep understanding of the everyday lives of Afghan migrants, who face unrelenting pressures to remit money to their struggling relatives in Pakistan and Afghanistan, adhere to traditional values, and resettle the wives and children they have left behind. This kaleidoscopic narrative is enriched by the migrants' own stories and dreams, which take on extra significance among sleep-deprived taxi drivers. Khan chronicles the way these men rely on Pashto poems and aphorisms to make sense of what is strange or difficult to bear. She also attests to the pleasures of local family and friends who are less demanding than kin back home-sharing connection and moments of joy in dance, excursions, picnics, and humorous banter. Khan views these men's lives through the lenses of movement-the arrival of friends and family, return visits to Pakistan, driving customers, even the journey to remit money overseas-and immobility, describing the migrants who experience "stuckness" caused by unresponsive bureaucracies, chronic insecurity, or struggles with depression and other mental health conditions. Arc of the Journeyman is a deeply humane portrayal that expands and complicates current perceptions of Afghan migrants, offering a finely analyzed description of their lives and communities as a moving, contingent, and fully contemporary force.

This Palgrave Pivot combines anthropological, biographical and autoethnographic perspectives onto imperial intimacies, the transgenerational transmission of colonial and familial trauma, and violence in two kinds of household: the Chinese family in British Hong Kong and wider imperial Asia, and the Anglo-Chinese family in England. Conjoining approaches from literary anthropology, the historiography of Anglo-Chinese relations, and perspectives on colonial trauma, it highlights the relative neglect of women's stories in customary Chinese readings, colonial accounts, and an ancestral family record from 1800 to the present. Offering an alternative view of family history, this book links the body as a dwelling for assaults on the ability to breathe-through tuberculosis, opium smoking, asthma, and panic-with the physical home that is assaulted in turn by bombs, killing, intimate betrayals, and fatal respiratory illness. The COVID-19 "pandemic of breathlessness" serves as mnemonic both for state repression, and for the reprisal of historical fears of suffocation and dying. These phenomena converge under an analytic concept the author calls respiratory politics.